The rest of the story is all about how they manage to get-out of that haunted farmhouse in one piece.Īctors: It’s a mature role of Sudheer in this film and he does his job convincingly. The rest of the story is all about what happens when Sudheer tries to touch Nandini. Sudheer’s friend encourages him to be physically intimate with her. In the process, Sudheer falls in love with Nanditha who secretly admires him. Barring the climax, PKC is an entertaining watch.A group of four (Sudheer, Nanditha, Praveen and Saptagiri) go to a remote farmthouse to commit a mass suicide. The film`s biggest letdown is its climax, which not only kills all the excitement the film builds but also reminds us how an exceptionally different film can turn into a run-of-the-mill kind of story in an instant. Not only does this entertain, but works brilliantly in inducing laughter in the most serious scenes. Prabhakar directs the film with a tinge of sarcasm filled with double meaning dialogues. It is plain entertainment laced with intermittent thrills. It doesn`t boast of any scenes that are neither melodramatic nor tear-jerking. Most Telugu films run beyond two and a half hours, but thankfully PKC sticks to nearly a two-hour runtime and manages to entertain throughout, barring few scenes. Sudheer doesn`t quite give us a performance worth taking a minute to appreciate or even notice, while his co-star, Nanditha chips in a cheerful presentation. Instead, he becomes the pick of most rollicking moments that are aptly backed by the supporting cast. While Sudheer is the hero figure in the film, occasionally do we get to see him flaunt the hero tag with elan. The film strikes a fine balance between multiple genres, allowing audiences to take home experience filled with thrills, chills and occasional laughter. The plot isn`t truly outstanding but the performances definitely are worth the time and money invested.
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